Portal:Netherlands

Welcome to the Netherlands Portal
Welkom bij het Nederlandportaal!

The Netherlands, also informally known as Holland, is a country in Northwestern Europe, with overseas territories in the Caribbean. It is the largest of the four constituent countries of the Kingdom of the Netherlands. The Netherlands consists of twelve provinces and three overseas special municipalities. European Netherlands has land borders with Germany to the east and with Belgium to the south, and a coastline to the north and west. It shares maritime borders with the United Kingdom, Germany, and Belgium in the North Sea. The official language is Dutch, with West Frisian as a secondary official language in the province of Friesland. Dutch, English, and Papiamento are official languages in the Caribbean territories. People from the Netherlands are referred to as Dutch.

The Netherlands has been a parliamentary constitutional monarchy with a unitary structure since 1848. The country has a tradition of pillarisation (separation of citizens into groups by religion and political beliefs) and a long record of social tolerance, having legalised prostitution and euthanasia, along with maintaining a liberal drug policy. The Netherlands allowed women's suffrage in 1919 and was the first country to legalise same-sex marriage in 2001. A developed country, its mixed-market advanced economy is the 18th-largest in the world and has the 11th-highest per capita income globally. The Hague holds the seat of the States General, cabinet, and Supreme Court. The Port of Rotterdam is the busiest in Europe. Schiphol is the busiest airport in the Netherlands and the fourth busiest in Europe. The Netherlands is a founding member of the European Union, eurozone, G10, NATO, OECD, and World Trade Organization, as well as a part of the Schengen Area and the trilateral Benelux Union. It hosts intergovernmental organisations and international courts, many of which are in The Hague. (Full article...)

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One sheet

Tjioeng Wanara (Indonesian pronunciation: [ˌtʃiʊŋ waˈnara]; Perfected Spelling: Ciung Wanara) is a 1941 film from the Dutch East Indies (modern-day Indonesia) directed and produced by Jo Eng Sek. Starring R Sukran, Elly Joenara and AB Djoenaedi, it featured more than 500 people in supporting roles. The film follows a young prince named Tjioeng Wanara who must reclaim his throne from the cruel King of Galuh; it is adapted from the Sundanese legend of the same name.

The second production by Star Film, Tjioeng Wanara was released 18 August 1941. It was advertised heavily, emphasising the fact that the scholar Poerbatjaraka had served as the historical adviser and that the film was based on Balai Pustaka's version of the legend. It premiered to commercial success, but received mixed reviews. This black-and-white production, which was screened until at least 1948, is now thought lost. (Full article...)
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Union Films was a film production company located in Batavia, Dutch East Indies (now Jakarta, Indonesia). Established by ethnic Chinese businessmen Ang Hock Liem and Tjoa Ma Tjoen in 1940, it produced seven black-and-white films before it was dissolved in 1942; all are thought to be lost. The company's films were directed by four men, mostly ethnic Chinese, and launched the careers of actors such as Rendra Karno and Djoewariah.

Established during the revival of the Indies film industry, Union released its first film, Kedok Ketawa, in July 1940. This was followed by a series of films penned by Saeroen which were increasingly oriented towards the Indies' growing intelligentsia and attempted to distance themselves from the theatrical conventions which were common in the contemporary film industry. This continued after Saeroen left for Star Film in 1941, with Union's final two productions emphasising realism. Following the Japanese occupation of the Indies in March 1942, Union was dissolved, though its films continued to be screened into the mid-1940s. (Full article...)
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The Human Centipede (First Sequence) is a 2009 Dutch body horror film written, directed and co-produced by Tom Six. The independent film concerns a deranged German surgeon who kidnaps three tourists and conjoins them surgically, mouth to anus, forming the eponymous "human centipede". It stars Dieter Laser as Josef Heiter, the creator of the centipede, and Ashley C. Williams, Ashlynn Yennie, and Akihiro Kitamura as Heiter's victims.

According to Six, the concept arose from a joke he had made with friends about punishing a child molester by stitching his mouth to the anus of a "fat truck driver". Other sources of inspiration were Nazi medical experiments performed during World War II, such as those performed by Josef Mengele at the Auschwitz concentration camp. When approaching investors to fund the project, Six did not mention the premise of the film for fear of putting off potential backers; financiers did not discover the full nature of the film until completion. (Full article...)
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Djajakusuma, c. 1950s

Djadoeg Djajakusuma ([dʒaˈdʊʔ dʒajakuˈsuma]; 1 August 1918 – 28 October 1987) was an Indonesian film director and promoter of traditional art forms. Born to a nobleman and his wife in Temanggung, Central Java, Djajakusuma became interested in the arts at a young age, choosing to pursue a career in theatre. During the Japanese occupation from 1943 to 1945 he was a translator and actor, and in the four-year national revolution which followed he worked for the military's educational division, several news agencies, and in drama.

In 1951, Djajakusuma joined the National Film Corporation (Perfini) at the invitation of Usmar Ismail. After making his directorial debut with Embun, Djajakusuma released a further eleven films with the company before leaving in 1964. He then returned to traditional Indonesian theatre, including wayang. Although he continued to direct movies independently of Perfini, most of his energies were dedicated to promoting traditional art forms and teaching cinematography. After over a decade of poor health and high blood pressure, Djajakusuma collapsed during a ceremony and died. He was buried in Karet Bivak Cemetery. (Full article...)
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The Battle of Öland was a naval battle between an allied Danish and Dutch fleet and the Swedish navy in the Baltic Sea, off the east coast of Öland on 1 June 1676. The battle was a part of the Scanian War (1675–1679) fought for supremacy over the southern Baltic. Sweden was in urgent need of reinforcements for its north German possessions; Denmark sought to ferry an army to Scania in southern Sweden to open a front on Swedish soil.

Just as the battle began, the Swedish flagship Kronan sank, taking with it almost the entire crew, including the Admiral of the Realm and commander of the Swedish navy, Lorentz Creutz. The allied force under the leadership of the Dutch admiral Cornelis Tromp took full advantage of the ensuing disorder on the Swedish side. The acting commander after Creutz's sudden demise, Admiral Claes Uggla, was surrounded and his flagship Svärdet battered in a drawn-out artillery duel, then set ablaze by a fire ship. Uggla drowned while escaping the burning ship, and with the loss of a second supreme commander, the rest of the Swedish fleet fled in disorder. (Full article...)
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Hieronymus Bosch, The Garden of Earthly Delights, oil on oak panels, 205.5 cm × 384.9 cm (81 in × 152 in), Museo del Prado, Madrid

The Garden of Earthly Delights (Dutch: De tuin der lusten, lit. 'The garden of lusts') is the modern title given to a five-panel triptych (three oil-painted panels when open, two oak panels when closed) painted by the Early Netherlandish master Hieronymus Bosch, painted between 1490 and 1510, when Bosch was between 40 and 60 years old. Because of Bosch's religious beliefs, interpretations of the work typically assume it is a warning against the perils of temptation. The outer panels place the work on the Third Day of Creation. The intricacy of its symbolism, particularly that of the central panel, has led to a wide range of scholarly interpretations over the centuries.

Twentieth-century art historians are divided as to whether the triptych's central panel is a moral warning or a panorama of the paradise lost. He painted three large triptychs (the others are The Last Judgment of c. 1482 and The Haywain Triptych of c. 1516) that can be read from left to right and in which each panel was essential to the meaning of the whole. Each of these three works presents distinct yet linked themes addressing history and faith. Triptychs from this period were generally intended to be read sequentially, the left and right panels often portraying Eden and the Last Judgment respectively, while the main subject was contained in the centerpiece. (Full article...)
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Portrait, 1690

Mary II (30 April 1662 – 28 December 1694) was Queen of England, Scotland, and Ireland with her husband, King William III and II, from 1689 until her death in 1694. She was also Princess of Orange following her marriage on 4 November 1677. Her joint reign with William over Britain is known as that of William and Mary.

Mary was born during the reign of her uncle King Charles II. She was the eldest daughter of James, Duke of York (the future James II of England), and his first wife, Anne Hyde. Mary and her sister Anne were raised as Anglicans at the behest of Charles II, although their parents both converted to Roman Catholicism. Charles lacked legitimate children, making Mary second in the line of succession. At the age of 15, she married her cousin William of Orange, a Protestant. Charles died in 1685 and James became king, making Mary heir presumptive. James's attempts at rule by decree and the birth of his son from a second marriage, James Francis Edward (later known as "the Old Pretender"), led to his deposition in the Glorious Revolution of 1688 and the adoption of the English Bill of Rights. (Full article...)
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LSTs landing supplies at Blue Beach, Morotai

LSTs landing supplies at Blue Beach, Morotai

The Battle of Morotai, part of the Pacific War, began on 15 September 1944, and continued until the end of the war in August 1945. The fighting started when United States and Australian forces landed on the southwest corner of Morotai, a small island in the Netherlands East Indies (NEI), which the Allies needed as a base to support the liberation of the Philippines later that year. The invading forces greatly outnumbered the island's Japanese defenders and secured their objectives in two weeks. Japanese reinforcements landed on the island between September and November, but lacked the supplies needed to effectively attack the Allied defensive perimeter. Intermittent fighting continued until the end of the war, with the Japanese troops suffering heavy loss of life from disease and starvation.

Morotai's development into an Allied base began shortly after the landing, and two major airfields were ready for use in October. These and other base facilities played an important role in the Liberation of the Philippines during 1944 and 1945. Torpedo boats and aircraft based at Morotai also harassed Japanese positions in the NEI. The island's base facilities were further expanded in 1945 to support the Australian-led Borneo Campaign, and Morotai remained an important logistical hub and command center until the Dutch reestablished their colonial rule in the NEI. (Full article...)
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Si Ronda is a 1930 silent film from the Dutch East Indies which was directed by Lie Tek Swie and starred Bachtiar Effendi. Based on contemporary Betawi oral tradition, it follows the exploits of a bandit, skilled in silat (traditional Malay martial arts), known as Si Ronda. In the lenong stories from which the film was derived, Ronda was often depicted as a Robin Hood type of figure. The production, now thought lost, was one of a series of martial arts films released between 1929 and 1931. Si Ronda received little coverage in the media upon its release. A second adaptation of the tale, Si Ronda Macan Betawi, was made in 1978. (Full article...)
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Newspaper advertisement

Gagak Item ([ɡaˈɡaʔ iˈtəm]; Vernacular Malay for Black Raven, also known by the Dutch title De Zwarte Raaf) is a 1939 bandit film from the Dutch East Indies (now Indonesia) directed by Joshua and Othniel Wong for Tan's Film. Starring Rd Mochtar, Roekiah, and Eddy T. Effendi, it follows a masked man known only as "Gagak Item" ("Black Raven"). The black-and-white film, which featured the cast and crew from the 1937 hit Terang Boelan (Full Moon), was a commercial success and received positive reviews upon release. It is likely lost. (Full article...)

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Twenty-two people are recorded as having produced fictional films in the Dutch East Indies between 1926, when L. Heuveldorp released Loetoeng Kasaroeng, the colony's first domestically produced film, and 1949, when the Dutch formally recognised Indonesia's sovereignty after a four-year revolution, leaving the Dutch East Indies defunct. Altogether, they are credited for 93 of all known films produced in the Indies, and four of them remained active after independence. All were men; the first female film producer in Indonesia, Ratna Asmara, produced her first film in 1953.

The colony's first producer, Heuveldorp, was of European descent. He was followed in 1928 by the ethnic Chinese businessmen Tjan Tjoen Lian and Liem Goan Lian, who began work on Lily van Java but soon pulled out, to be replaced by David Wong. By 1930 Chinese producers had dominated the industry. The most active of these, The Teng Chun, made his debut in 1931 with Boenga Roos dari Tjikembang; he would go on to produce another 27 films before independence. No native Indonesian film producers are recorded from this period, although several productions were credited only to companies. (Full article...)
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Film poster for Loetoeng Kasaroeng, the first locally produced film released in the Dutch East Indies

A total of 112 fictional films are known to have been produced in the Dutch East Indies (modern-day Indonesia) between 1926 and the colony's dissolution in 1949. The earliest motion pictures, imported from abroad, were shown in late 1900, and by the early 1920s imported serials and fictional films were being shown, often with localised names. Dutch companies were also producing documentary films about the Indies to be shown in the Netherlands. The first reports of fictional film production in the Indies date from 1923, although the work in question was not completed. The first locally produced film, Loetoeng Kasaroeng, was directed by L. Heuveldorp and released on 31 December 1926.

Between 1926 and 1933 numerous other local productions were released. Although Dutchmen like Heuveldorp and George Krugers continued to be active in the industry, the majority of filmmakers and producers were ethnic Chinese. The Tan brothers (Khoen Yauw and Khoen Hian) and The Teng Chun were major producers during this period, while the Wong brothers (Nelson, Othniel, and Joshua) were among the more prominent directors. During the mid-1930s, production dropped as a result of the Great Depression. The release of Albert Balink's commercially and critically successful Terang Boelan (Full Moon) in 1937 led to renewed interest in filmmaking, and 1941 saw thirty locally produced films. This rate of production declined after the Japanese occupation beginning in early 1942, closing all but one film studio; this resulted in several films which had begun production in 1941 being released several years later. The majority of films produced during the occupation were short propaganda pieces. Following the Proclamation of Indonesian Independence in 1945 and during the ensuing revolution several films were made, by both pro-Dutch and pro-Indonesian backers; the Dutch formally recognised Indonesia's sovereignty on 27 December 1949, leaving the Dutch East Indies defunct. (Full article...)
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Since 1 January 2023, there are 342 regular municipalities (Dutch: gemeenten [ɣəˈmeːntə(n)] ; sing. gemeente [xəˈmeːntə] ) and three special municipalities (Dutch: bijzondere gemeenten [biˈzɔndərə -]) in the Netherlands. The latter is the status of three of the six island territories that make up the Dutch Caribbean. Municipalities are the second-level administrative division, or public bodies (Dutch: openbare lichamen), in the Netherlands and are subdivisions of their respective provinces. Their duties are delegated to them by the central government and they are ruled by a municipal council that is elected every four years. Municipal mergers have reduced the total number of municipalities by two-thirds since the first official boundaries were created in the mid 19th century. Municipalities themselves are informally subdivided into districts and neighbourhoods for administrative and statistical purposes.

These municipalities come in a wide range of sizes, Westervoort is the smallest with a land area of 7.01 km2 (2.71 sq mi) and Súdwest-Fryslân the largest with a land area of 522.7 km2 (201.8 sq mi). Schiermonnikoog is both the least populated, with 972 people, and the least densely populated municipality at 23/km2 (60/sq mi). Amsterdam has the highest population with 931,298 residents as of January 2024, whereas The Hague is the most densely populated with a density of 6,868/km2 (17,790/sq mi). (Full article...)
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This page is a list of films that received the Golden Film since its introduction in 2001 by the Netherlands Film Festival and the Netherlands Film Fund. In 2001 and 2002, films from the Netherlands received the award once they had sold 75,000 tickets. From 2003 to date, the Golden Film is awarded to films from the Netherlands once they have sold 100,000 tickets. This page shows, for both audience criteria, which films received the Golden Film and how soon they received it after their releases.

In the following tables, the 'year' column contains the years in which the films received the Golden Film, the '#' column contains the number of the Golden Film, the 'film title' column contains the titles of the receiving films, the 'film release' column contains the dates on which the films were first released in the cinemas, and the 'Golden Film' column contains the days when the Netherlands Film Festival and the Netherlands Film Fund announced that the receiving films reached the audience criterion of the Golden Film. (Full article...)
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The Amsterdam Tournament (Dutch: Amsterdam Toernooi) was a pre-season association football competition, held in Amsterdam, Netherlands. The competition was hosted by Eredivisie club Ajax at the Amsterdam Arena. It was inaugurated in 1975 as the Amsterdam 700 Tournament to celebrate 700 years of history in the city. It was held annually each summer until 1992, when the last edition of the original tournament was played. It returned in 1999 with the backing of the International Event Partnership (IEP). Four teams participate in the competition, played in a league format since 1986.

Since its return, the tournament has used an unusual point scoring system. As with most league competitions, three points are awarded for a win, one for a draw and zero for a loss. An additional point, however, is awarded for each goal scored. The system is designed to reward teams that adopt a more attacking style of play. Each entrant plays two matches, with the winner being the club that finishes at the top of the table. The original competition was held at Amsterdam's Olympic Stadium, where Ajax played its international games until 1996. The Amsterdam Arena, now named the Johan Cruyff Arena, has played host to the event since the return until 2009. (Full article...)
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The Wong brothers (one pictured) were the first ethnic Chinese directors in the Indies.

Twenty-nine people are recorded as having directed fictional films in the Dutch East Indies between 1926, when L. Heuveldorp released Loetoeng Kasaroeng, the colony's first domestically produced film, and 1949, when the Dutch formally recognised Indonesia's sovereignty after a four-year revolution, leaving the Dutch East Indies defunct. Thirteen directors active in the Indies continued to direct films after 1950, including Usmar Ismail: his 1955 film Darah dan Doa (The Long March) is generally considered the first truly Indonesian film.

The colony's first directors, L. Heuveldorp and George Krugers, were of European or mixed descent. They were followed by ethnic Chinese soon after, when Nelson Wong made his debut in 1928 with Lily van Java; other Chinese directors included Lie Tek Swie (1929), Wong's brothers Joshua and Othniel (1930), and The Teng Chun (1931). Ethnic Chinese directors dominated the colony's cinema for the remainder of its existence. The first native director, Bachtiar Effendi, made his debut in 1932 with the talkie Njai Dasima; another native director would not appear until Andjar Asmara and Rd Ariffien made their debuts in 1940. (Full article...)
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1799 painting of the Battle of Camperdown by Robert Cleveley

The Battle of Camperdown was an important naval action of the French Revolutionary Wars, fought off Camperduin on the North Holland coast on 11 October 1797 between a Royal Navy fleet under Admiral Adam Duncan and a Batavian Navy fleet under Vice-Admiral Jan Willem de Winter. France had overrun the Dutch Republic two years earlier, which was replaced by the Batavian Republic. In early 1797, the Batavian Navy was ordered to sail to Brest and unite with the French Atlantic Fleet in preparation for an invasion of Ireland. Shortly afterwards, the British navy was paralysed by the Spithead and Nore mutinies, in which the navy's sailors refused to take their ships to sea until they were awarded better pay and conditions. For two months^{[citation needed]} the English Channel was undefended, but the Batavian navy failed to take the opportunity to sail from their harbour in the Texel as their preparations were not complete; furthermore, a small squadron of loyal ships under Duncan convinced de Winter that the British navy was at sea by sending nonsensical signals to fictitious ships over the horizon.

By October 1797, the plan to invade Ireland had been abandoned and the British North Sea Fleet was again at full strength. During a brief period replenishing supplies at Yarmouth, news reached Duncan on 10 October that de Winter had set sail with his fleeton a raiding cruise^{[citation needed]} and he returned to the Dutch coast, intercepting the Batavian fleet on its way back to the Texel. The Batavians formed a line of battle in shallow coastal waters to meet Duncan's attack, which was conducted in a confused mass, the British fleet separating into two groups that struck the vanguard and rear of the Batavian fleet, overwhelming each in turn and capturing eleven ships, including de Winter's flagship Vrijheid. On the return journey, three of the captured ships were lost, and none of the surviving prizes were ever suitable for active service again^{[citation needed]}. Both sides suffered heavy casualties during the battle as each fleet had been trained to aim at the hulls of their opponents, maximising the damage to personnel. (Full article...)

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William III was the Prince of Orange from his birth, Stadtholder of the main provinces of the Dutch Republic from 28 June 1672, King of England and King of Ireland from 13 February 1689, and King of Scots (under the name William II) from 11 April 1689, until his death.

Born a member of the House of Orange-Nassau, William III won the English, Scottish and Irish Crowns following the Glorious Revolution, during which his uncle and father-in-law, the Catholic James II (VII in Scotland)), was deposed. In England, Scotland and Ireland, William ruled jointly with his wife, Mary II, until her death on 28 December 1694. He reigned as 'William II' in Scotland, but 'William III' in England and Ireland. Often he is referred to as William of Orange, a name he shared with many other historical figures. In Northern Ireland and Scotland, he is often informally known as "King Billy".

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Woman Reading a Letter
Painting: Johannes Vermeer
Woman Reading a Letter is an oil-on-canvas painting by the Dutch painter Johannes Vermeer, produced in around 1663. The central element of the painting is a woman in blue standing in front of an unseen window, reading a letter. The woman appears to be pregnant, although as pregnancy was rarely depicted in art during this period, some scholars have argued that the woman's rounded figure is simply a result of the fashions of the day. While the contents of the letter are not depicted, the composition of the painting is revealing. The map of the Netherlands on the wall behind the woman has been interpreted as suggesting that the letter she reads was written by a traveling husband. Alternatively, the box of pearls barely visible on the table before the woman might suggest a lover, as pearls are sometimes a symbol of vanity. The painting is unique among Vermeer's interiors in that no fragment of corner, floor or ceiling can be seen. Part of the collection of the city of Amsterdam as part of the Van der Hoop bequest, it has been in the Rijksmuseum since its inception.
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Card money
Card: Government of Dutch Guiana; image courtesy of the National Numismatic Collection
Card money, printed on plain cardboard or playing cards, was issued from the 17th to the 19th century to supplement the supply of money in several countries and colonies.

This playing card from Dutch Guiana (now Suriname), dated 1801, has a face value of one guilder. In that colony, card money was first issued in 1761, initially backed by bills of exchange from the Netherlands; but later it was released unsecured, and inflation was an issue for much of the currency's lifetime, with the value fluctuating wildly until it was replaced with paper money in 1826 and formally discontinued two years later.
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Netherlands Indies gulden
Banknote: De Bank Courant en Bank van Leening (image courtesy of the National Numismatic Collection, National Museum of American History)
A banknote for one Netherlands Indies gulden. This note was issued in 1815 as part of the first Dutch government-issued paper money in the Netherlands Indies. However, in 1818 the issuing bank—De Bank Courant en Bank van Leening—was dissolved due to a lack of capital, and six months later, this first series of notes was declared worthless.
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Peace of Münster
Painting: Gerard ter Borch
The 1648 ratification of the Peace of Münster, as painted the same year by Gerard ter Borch. With this treaty, which was reached after seven years of negotiations, Spain formally recognized the independence of the United Netherlands. The treaty contributed to the Peace of Westphalia, which ended both the Thirty Years' War and the Eighty Years' War.
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Indonesian rupiah
Banknotes: Bank of Indonesia
The rupiah is the national currency of Indonesia. Introduced in 1946 by Indonesian nationalists fighting for independence, the currency replaced a version of the Netherlands Indies gulden which had been introduced during the Japanese occupation in World War II. In its early years the rupiah was used in conjunction with other currencies, including a new version of the gulden introduced by the Dutch. Since 1950, it has had a lengthy history of inflation and revaluation. As of August 2018^[update]
'"`UNIQ--nowiki-0000001C-QINU`"'
, the currency—which is issued and controlled by the Bank of Indonesia—is trading for more than 14,600 rupiah to the United States dollar.

This note, denominated 100,000 rupiah, is from a 2011 revision of an earlier series. It depicts Sukarno and Mohammad Hatta, respectively Indonesia's first president and vice-president, on its obverse, and the People's Consultative Assembly building on its reverse.

See other denominations: Rp 1,000, Rp 2,000, Rp 5,000, Rp 10,000, Rp 20,000, Rp 50,000
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Jan Jacob Rochussen
Painting: Nicolaas Pieneman
Jan Jacob Rochussen (1797–1871) was a Dutch politician who served as Governor-General of the Dutch East Indies and, later, Prime Minister of the Netherlands. Beginning his political career as a tax collector, Rochussen spent most of his life with an interest in finance and financial reform.
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Mary of Hungary
Painting: Jan Cornelisz Vermeyen
Mary of Hungary (1505–1558) was queen of Hungary and Bohemia as the wife of King Louis II. After their short, childless marriage ended with Louis' death, Mary's brother Ferdinand I came to power and made her regent – and later governor – of the Netherlands. She created unity between the provinces and was an enthusiastic patron of literature, music, and hunting.
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Cornelis Kruseman
Painting: Cornelis Kruseman
Cornelis Kruseman (25 September 1797 – 14 November 1857) was a Dutch painter. Born in Amsterdam, he studied art with Charles Howard Hodges and Jean Augustin Daiwaille before moving to Italy via Paris in 1821. He remained in Italy for four years, working with and learning from artists Jean-Victor Schnetz and Louis Léopold Robert, and then moved back to the Netherlands and settled in The Hague. He lived in Italy again from 1841 to 1848, leading him to be called the "Italian Kruseman", before returning once more to the Netherlands for the rest of his life. His works included portraits, biblical scenes, and depictions of Italian peasant life.

This picture is a self-portrait of Kruseman, which hangs in the Museum Van Loon in Amsterdam.
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Pied avocet juvenile
Photograph: Andreas Trepte
A juvenile pied avocet (Recurvirostra avosetta) near Oosterend, Texel Island, the Netherlands. While adults are black and white, juveniles of this species have more greyish and sepia tones.
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Raden Saleh
Painting: Friedrich Carl Albert Schreuel
Raden Saleh (1811–1880) was a Romantic painter of Arab-Javanese ethnicity from the Dutch East Indies (now Indonesia). Born in Semarang, in 1829 he was sent to the Netherlands to study portraiture and landscape painting under artists such as Cornelis Kruseman and Andreas Schelfhout. Upon returning to Java in 1851, Saleh focused predominantly on the day-to-day lives of the Javanese, although he also completed his magnum opus, The Arrest of Pangeran Diponegoro, in this period.

This painting, though long thought to be a self-portrait, is now attributed to Friedrich Carl Albert Schreuel, a German artist whom Saleh knew during his time in Europe.
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Clitocybe nebularis
Photograph credit: Dominicus Johannes Bergsma
Clitocybe nebularis, commonly known as the clouded agaric or the cloud funnel, is a common gilled fungus that grows both in conifer-dominated forests and broad-leaved woodland in Europe and North America. This C. nebularis mushroom was photographed growing among fallen beech leaves in Famberhorst nature reserve, the Netherlands.
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V-2 rocket attack
Photo credit: Ingeldew, T3c, U.S. Army
The smouldering body of a boy killed by a V-2 rocket attack on the main intersection in Antwerp, Belgium, November 27, 1944, on the main Allied supply line to the Netherlands. The V-2, one of the German Vergeltungswaffen, was the first ballistic missile and first man-made object to achieve sub-orbital spaceflight. Over 3,000 V-2s were launched as military rockets by the Wehrmacht against Allied targets in World War II.
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De Zoeker, Zaandam
Photo: Murdockcrc
De Zoeker ("The Seeker") is a windmill located in the Zaanse Schans, Zaanstad, Netherlands used to extract oil from seeds. Built in 1672, it is the only such mill still in operation, and is one of five remaining oil mills in the area.
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Image 14
Peace of Münster
Bartholomeus van der Helst's 1648 painting depicting a company of schutterij celebrating the Peace of Münster, the treaty between the Dutch Republic and Spain signed earlier that year making the United Netherlands independent from the Holy Roman Empire. The Dutch Revolt had begun in 1566, and the Northern Netherlands became de facto independent over the years. By the end, France allied itself with the Dutch, taking much of the Southern Netherlands. On January 30, 1648, the warring parties reached an agreement after seven years of negotiations, and the final treaty was signed on May 15.
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Indonesian rupiah
Banknotes: Bank of Indonesia
The rupiah is the national currency of Indonesia. Introduced in 1946 by Indonesian nationalists fighting for independence, the currency replaced a version of the Netherlands Indies gulden which had been introduced during the Japanese occupation in World War II. In its early years the rupiah was used in conjunction with other currencies, including a new version of the gulden introduced by the Dutch. Since 1950, it has had a lengthy history of inflation and revaluation. As of August 2018^[update]
'"`UNIQ--nowiki-0000001D-QINU`"'
, the currency—which is issued and controlled by the Bank of Indonesia—is trading for more than 14,600 rupiah to the United States dollar.

This note, denominated 1,000 rupiah, is part of the 2000 series. It depicts Pattimura, a National Hero of Indonesia, on its obverse, and the islands of Maitara and Tidore on its reverse.

See other denominations: Rp 2,000, Rp 5,000, Rp 10,000, Rp 20,000, Rp 50,000, Rp 100,000
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Did you know (auto-generated)

... that people traveled from as far away as Australia and the Netherlands to stay at a house in Ohio?
... that Dutch East India Company officials considered the inhabitants of the Bungku Kingdom to be "the fiercest of all Malukan peoples"?
... that, of the three presidents of the Chamber of Dutch Culture, two were arrested and one was assassinated?
... that Isabella Correa was one of the few Jewish women poets active in the Netherlands before the 19th century?
... that the Nazis killed more than fifty Dutch nationals in retaliation for the assassinations of Hendrik Seyffardt and Hermannus Reydon by the Dutch resistance?
... that Dutch soldier Gerrit van der Waals escaped from a German POW camp, aided Jews and anti-Nazi resistance, then was arrested by the Soviets and died in their custody?