
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, image, filmmaking, design, crafts, and architecture. Many artistic disciplines such as performing arts, conceptual art, and textile arts also involve aspects of the visual arts, as well as arts of other types. Within the visual arts, the applied arts—such as industrial design, graphic design, fashion design, interior design, and decorative art—are also included.
Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts.
The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions, painting has been seen as relying on the imagination of the artist to the highest degree and being the furthest removed from manual labour—in Chinese painting, valued styles were "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)
The National Museum of African Art is the Smithsonian Institution's African art museum, located on the National Mall of the United States capital. Its collections include 9,000 works of traditional and contemporary African art from both Sub-Saharan and North Africa, 300,000 photographs, and 50,000 library volumes. It was the first institution dedicated to African art in the United States and remains the largest collection. The Washington Post called the museum a mainstay in the international art world and the main venue for contemporary African art in the United States.
The museum was founded in 1964 by a former Foreign Service officer in Capitol Hill. The collection focused on traditional African art and an educational mission to teach black cultural heritage. To ensure the museum's longevity, the founder lobbied Congress to adopt the museum under the Smithsonian's auspices. It joined the Smithsonian in 1979 and became the National Museum of African Art two years later. A new, primarily underground museum building was completed in 1987, just off the National Mall and adjacent to other Smithsonian museums. It is among the Smithsonian's smallest museums. (Full article...)
| “ | When I've painted a woman's behind so that I want to touch it, then it's finished! | ” |
| — Pierre-Auguste Renoir, Vollard, Ambroise (1925). Renoir: an initimate record. Translated by Van Dooren, Harold L.; Weaver, Randolph T. New York: Alfred A. Knopf. p. 57. OCLC 631984646. |
Anna Mary Robertson Moses (September 7, 1860 – December 13, 1961), popularly known as Grandma Moses, was an American folk artist. She began painting in earnest at the age of 78 and is a prominent example of a newly successful art career at an advanced age. Moses rose to fame in the 1950s. She was the subject of an Oscar-nominated documentary in 1950, published her autobiography in 1952, and was on the cover of Time Magazine in 1953.
Starting at the age of 12, Moses worked as a live-in housekeeper for 15 years. Moses and her husband began their married life in Virginia, where they worked on farms. In 1905, they settled in Eagle Bridge, New York. They had ten children, five of whom survived infancy. Moses worked in a variety of arts and crafts. Arthritis forced her to focus on painting as she aged. (Full article...)


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